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Mind, Power, Castration (1993)

ALL 03/08/1993 (de) 25 Min
  • Release
    03/08/1993
  • Production
  • Rotten tomato
    0%
  • Original title
    Geist, Macht, Kastration
  • Original language
    de
  • Production Cost
  • 0.00
    -

Overview

Here Müller and Kluge explicitly address a theme that is latently present in many of their conversations: the relation of intellectuals to reigning political power. Given his many writings on Frederick the Great, it is not surprising that Müller begins the discussion with the “love-hate” relationship between the 18th Century Prussian King and the French Philosopher Voltaire. Moving to the 20th Century, the conversation then focuses for the most part on intellectuals and their relationship to totalitarian regimes. An initial sketch of an encounter between the Russian writer Maxim Gorky and Vladimir Lenin in the post-revolutionary Soviet Union segues into a treatment of the German writer Ernst Jünger in the Third Reich (1933-1945). Müller follows this up with remarks about the importance of Jünger for his own thinking as a writer before and after the founding of the German Democratic Republic.

  1. Alexander Kluge

    Director

  2. Story

  3. Editor

  4. Producer



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Mind, Power, Castration (1993) 25 Min

ALL 03/08/1993 (de)
  • Release 03/08/1993
  • Production
  • Original title Geist, Macht, Kastration
  • de
  • Revenue0.00

Overview

Here Müller and Kluge explicitly address a theme that is latently present in many of their conversations: the relation of intellectuals to reigning political power. Given his many writings on Frederick the Great, it is not surprising that Müller begins the discussion with the “love-hate” relationship between the 18th Century Prussian King and the French Philosopher Voltaire. Moving to the 20th Century, the conversation then focuses for the most part on intellectuals and their relationship to totalitarian regimes. An initial sketch of an encounter between the Russian writer Maxim Gorky and Vladimir Lenin in the post-revolutionary Soviet Union segues into a treatment of the German writer Ernst Jünger in the Third Reich (1933-1945). Müller follows this up with remarks about the importance of Jünger for his own thinking as a writer before and after the founding of the German Democratic Republic.

  1. Alexander Kluge

    Director

  2. Story

  3. Editor

  4. Producer



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