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Les Noces de Figaro, Opéra Garnier de Paris (2022)

ALL 01/15/2022 (fr) Music 0 Min
  • Release
    01/15/2022
  • Production
  • Rotten tomato
    100%
  • Original title
    Les Noces de Figaro, Opéra Garnier de Paris
  • Original language
    fr
  • Production Cost
  • 0.00
    -

Overview

The Marriage of Figaro is one of the most emblematic operas in the repertoire. Brahms spoke of it as a “miracle” and the Countess' complaint still resonates today as one of the most heartbreaking musical pages. It was by resuming Beaumarchais' comedy, which caused a scandal in Parisian society, that Mozart and his librettist Da Ponte began their first collaboration. The play was banned by Joseph II in 1785 at the Vienna Theater. Is it because it exposed too much to the forefront the contradictions of an already faltering regime, ready to collapse with the French Revolution? Netia Jones preserves the very essence of Beaumarchais' play by questioning human relationships with humor but not without mischief, in a production which confuses reality and fiction to the point of asking, like the Count: "Are we playing a comedy?" »

  1. Netia Jones

    Director

  2. Story

  3. Editor

  4. Producer



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Casts

  1. Luca Pisaroni

    Figaro

  2. James Creswell

    Bartolo

  3. Ying Fang

    Susanna

  4. Lea Desandre

    Cherubin

  5. Maria Bengtsson

    Comtesse Almaviva

  6. Peter Mattei

    Comte Almaviva

  7. Dorothea Röschmann

    Marceline

  8. Miah Persson

    Comtesse Almaviva

Full Cast & Crew

Casts : 8 , Crews : 5

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Les Noces de Figaro, Opéra Garnier de Paris (2022) 0 Min

ALL 01/15/2022 (fr)
Music
  • Release 01/15/2022
  • Production
  • Original title Les Noces de Figaro, Opéra Garnier de Paris
  • fr
  • Revenue0.00

Overview

The Marriage of Figaro is one of the most emblematic operas in the repertoire. Brahms spoke of it as a “miracle” and the Countess' complaint still resonates today as one of the most heartbreaking musical pages. It was by resuming Beaumarchais' comedy, which caused a scandal in Parisian society, that Mozart and his librettist Da Ponte began their first collaboration. The play was banned by Joseph II in 1785 at the Vienna Theater. Is it because it exposed too much to the forefront the contradictions of an already faltering regime, ready to collapse with the French Revolution? Netia Jones preserves the very essence of Beaumarchais' play by questioning human relationships with humor but not without mischief, in a production which confuses reality and fiction to the point of asking, like the Count: "Are we playing a comedy?" »

  1. Netia Jones

    Director

  2. Story

  3. Editor

  4. Producer



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