Crazy Love (1971)

ALL 01/01/1971 (pt) Drama 85 Min
  • Release
    01/01/1971
  • Production
    Julio Bressane Produções Cinematográficas
  • Rotten tomato
    50%
  • Original title
    Amor Louco
  • Original language
    pt
  • Production Cost
  • 0.00
    -

Overview

Bressane's second London film, shot in six days in his apartment. "I had seen the French avant-garde films of the 1920's and naturally the title cites Breton. But underneath it can also be read in many ways. It is a cinema that is invented on the spur of the moment, like you invent an instrument to play music and then abandon it. This film came out like an improvisation, a total risk. It is a deconstruction of meaning but not in the analytical, intellectual sense. I have always tried to lose myself with my films. There is no trace of American or French underground cinema. If anything, it is the idea of home movies, there were many ideas for digital films long before digital film existed. This film made itself, it was like a jazz improvisation. Amor Louco is a lost object, it doesn't speak any language, it has no signs, no letters, no captions. And in the scene where the cataract is cut with the razor blade, it was the adventure of the film itself that was put to the test".

  1. Júlio Bressane

    Director

  2. Story

  3. Júlio Bressane

    Producer



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Full Cast & Crew

Casts : 4 , Crews : 6

Keyword

Crazy Love (1971) 85 Min

ALL 01/01/1971 (pt)
Drama
  • Release 01/01/1971
  • Production
    Julio Bressane Produções Cinematográficas
  • Original title Amor Louco
  • pt
  • Revenue0.00

Overview

Bressane's second London film, shot in six days in his apartment. "I had seen the French avant-garde films of the 1920's and naturally the title cites Breton. But underneath it can also be read in many ways. It is a cinema that is invented on the spur of the moment, like you invent an instrument to play music and then abandon it. This film came out like an improvisation, a total risk. It is a deconstruction of meaning but not in the analytical, intellectual sense. I have always tried to lose myself with my films. There is no trace of American or French underground cinema. If anything, it is the idea of home movies, there were many ideas for digital films long before digital film existed. This film made itself, it was like a jazz improvisation. Amor Louco is a lost object, it doesn't speak any language, it has no signs, no letters, no captions. And in the scene where the cataract is cut with the razor blade, it was the adventure of the film itself that was put to the test".

  1. Júlio Bressane

    Director

  2. Story

  3. Gilberto Macedo, Júlio Bressane

    Editor

  4. Júlio Bressane

    Producer