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Datok Merah’s Grandson (1963)

ALL 01/01/1963 (ms) Drama, Action 98 Min
  • Release
    01/01/1963
  • Production
  • Rotten tomato
    0%
  • Original title
    Chuchu Datok Merah
  • Original language
    ms
  • Production Cost
  • 0.00
    -

Overview

A period drama with Malay symbolisms, myth and folklore, the title Chuchu Datok Merah points to the mental image Malays have of themselves as descendants of Hang Tuah, the legendary Malay warrior of Malacca. Awang Janggut is very much a pseudo-warrior. Instead of a “keris”, a warrior’s weapon, he owns a prize-winning rooster. His battlefield is the cock fight arena. Home is a big but empty house inherited from his ancestor, and prefers living in poverty to working. The closest he comes to the high life of a warrior is when a rich businessman employs him as a bodyguard after he prevents hooligans from taunting the latter’s daughter Siti. Despite knowing Awang is married, Siti continues to flirt with him, causing him to leave his pregnant wife alone. She eventually falls sick and has a miscarriage. The film is a social criticism of people who rest on their laurels and ancestry instead of working for themselves. It is also one of the finest examples of the anti-hero in Malay cinema.

  1. M. Amin

    Director

  2. Story

  3. Editor

  4. Producer



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Casts

  1. Nordin Ahmad

    Awang Janggut

  2. Latifah Omar

    Wan Kuntum

  3. Rose Yatimah

    Siti Molek

  4. A. Rahim

    Long Daik

  5. Yem Jaafar

  6. Yem Jaafar

    Hassan

  7. Dollah Sarawak

    Pak Hanif

  8. Rahimah Alias

    Inang

  9. Menah Yem

    Mak Dukun

  10. M. Osman

    Wan Embong

  11. Mansor

Full Cast & Crew

Casts : 11 , Crews : 1

Recommand

Keyword

Datok Merah’s Grandson (1963) 98 Min

ALL 01/01/1963 (ms)
Drama, Action
  • Release 01/01/1963
  • Production
  • Original title Chuchu Datok Merah
  • ms
  • Revenue0.00

Overview

A period drama with Malay symbolisms, myth and folklore, the title Chuchu Datok Merah points to the mental image Malays have of themselves as descendants of Hang Tuah, the legendary Malay warrior of Malacca. Awang Janggut is very much a pseudo-warrior. Instead of a “keris”, a warrior’s weapon, he owns a prize-winning rooster. His battlefield is the cock fight arena. Home is a big but empty house inherited from his ancestor, and prefers living in poverty to working. The closest he comes to the high life of a warrior is when a rich businessman employs him as a bodyguard after he prevents hooligans from taunting the latter’s daughter Siti. Despite knowing Awang is married, Siti continues to flirt with him, causing him to leave his pregnant wife alone. She eventually falls sick and has a miscarriage. The film is a social criticism of people who rest on their laurels and ancestry instead of working for themselves. It is also one of the finest examples of the anti-hero in Malay cinema.

  1. M. Amin

    Director

  2. Story

  3. Editor

  4. Producer



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