Liberty and Homeland (2002)

ALL 08/01/2002 (fr) 21 Min
  • Release
    08/01/2002
  • Production
    Vega Film, Périphéria
  • Rotten tomato
    57%
  • Original title
    Liberté et Patrie
  • Original language
    fr
  • Production Cost
  • 0.00
    -

An almost ecstatic recounting by Jean-Luc Godard of the making of a painting by the apocryphal artist Aimé Pache.

Overview

The title of this twenty-minute video by Jean-Luc Godard and Anne-Marie Miéville, “Freedom and Fatherland,” is the official slogan of the Canton de Vaud, in Switzerland, where the filmmakers live and grew up. To fulfill their commission from a Swiss cultural festival, they adapted a great Swiss novel, “Aimé Pache, Painter from the Vaud,” by Charles Ferdinand Ramuz, from 1911 (about a local artist who goes to Paris for his education and then returns home) and extruded its autobiographical analogies to Godard’s own life and work. Using a choice set of clips from Godard’s films to coincide with events from the painter’s life, verbal references to modern times and to Godard’s own—Sartre, the late nineteen-sixties, the cinema—and images of the Swiss terrain, which plays a decisive role in the work of Pache, Godard, and Miéville (an important filmmaker in her own right), they produce the effect of mirrors within mirrors.

  1. Story

  2. Producer



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Casts

  1. Jean-Pierre Gos

    Narrator (voice)

  2. Geneviève Pasquier

    Narrator (voice)

Full Cast & Crew

Casts : 2 , Crews : 8

Keyword

Liberty and Homeland (2002) 21 Min

ALL 08/01/2002 (fr)
  • Release 08/01/2002
  • Production
    Vega Film, Périphéria
  • Original title Liberté et Patrie
  • fr
  • Revenue0.00

An almost ecstatic recounting by Jean-Luc Godard of the making of a painting by the apocryphal artist Aimé Pache.

Overview

The title of this twenty-minute video by Jean-Luc Godard and Anne-Marie Miéville, “Freedom and Fatherland,” is the official slogan of the Canton de Vaud, in Switzerland, where the filmmakers live and grew up. To fulfill their commission from a Swiss cultural festival, they adapted a great Swiss novel, “Aimé Pache, Painter from the Vaud,” by Charles Ferdinand Ramuz, from 1911 (about a local artist who goes to Paris for his education and then returns home) and extruded its autobiographical analogies to Godard’s own life and work. Using a choice set of clips from Godard’s films to coincide with events from the painter’s life, verbal references to modern times and to Godard’s own—Sartre, the late nineteen-sixties, the cinema—and images of the Swiss terrain, which plays a decisive role in the work of Pache, Godard, and Miéville (an important filmmaker in her own right), they produce the effect of mirrors within mirrors.

  1. Jean-Luc Godard, Anne-Marie Miéville

    Director

  2. Story

  3. Anne-Marie Miéville, Jean-Luc Godard

    Editor

  4. Producer